Laura Carlin

Cover artwork from the illustrated book 'What is a Sculpture' written by Diane Borsato

Spread from the illustrated book 'What is a Sculpture' written by Diane Borsato

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing an artwork inspired by Large Two Forms by Henry Moore (1966-1969) 

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing artworks inspired by Spindle by Dustin Shuler (1989), Puppy by Jeff Koons (1992), Maman by Louise Bourgeois (1999), The Thinker by Auguste Rodin (1904), Soul City by Roelof Louw (1967) and Give us a Poem by Glen Ligon (2007)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing artworks inspired by Object by Meret Oppenheim (1936), America by Maurizio Cattelan (2016), Descent into Limbo by Anish Kapoor and Altered Accordion by Charles Marclay (2000)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing ideas for a 'captivating collection'

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing an artwork inspired by Habitat 67 by Moshe Safdie (1967)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing kitty condos and ideas for making different rooms and spaces

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing artworks inspired by Ping Pong Table by Gabriel Orozco (1998) and Blue Monochrome by Michel de Broin (2003)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing on the bottom right a depiction of Every Which Way by Kim Adams (1998). Other pieces in the spread encourage sculpture making from items around the home

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing a scene inspired by the work of Christo and Jeanne-Claude

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread inspired by the work of Christo and Jeanne-Claude

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing artwork inspired by Refuge Wear by Lucy and Jorge Orta (1998) and Remote Control II by Jana Sterbak (1989)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing ideas for wearable sculpture

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing a scene inspired by The World's Largest Bannock, Peter Morin (2005)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing a scene inspired by the work of Andy Goldsworthy

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing ideas for natural sculptures

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing ideas for bubble sculptures

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing an artwork inspired by Within the Folds (Dialogue 1) by Thomas J Price (2020)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread encouraging the reader to look at materials, shapes and forms all around

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Artwork inspired by The World Turned Upside Down by Mark Wallinger (2019)

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Cover

Written by Diane Borsato and illustrated by Laura Carlin. Published by Tundra Books, an imprint of Penguin Random House

Spread showing an artwork inspired by Redball Project by Kurt Perschke (2001)

Cover artwork for a fully illustrated issue of The Mockingbird, the 'Sports Issue'

Zoom Yoga

Internal artwork for a fully illustrated issue of The Mockingbird, the 'Sports Issue'

Cheerleaders

Internal artwork for a fully illustrated issue of The Mockingbird, the 'Sports Issue'

Soccer Mascot

Internal artwork for a fully illustrated issue of The Mockingbird, the 'Sports Issue'

Soccer Mum

Internal artwork for a fully illustrated issue of The Mockingbird, the 'Sports Issue'

Foottball Team

Internal artwork for a fully illustrated issue of The Mockingbird, the 'Sports Issue'

'The Boy Who Became A Parrot' written by Wolverton Hill

A long form picture book and affectionate biography of the nineteenth century English artist, illustrator and poet, Edward lear - best known for his limericks and nonsense poetry

Selected as one of The New York Times Best Children’s Books of 2025

'The Boy Who Became A Parrot' written by Wolverton Hill

A long form picture book and affectionate biography of the nineteenth century English artist, illustrator and poet, Edward lear - best known for his limericks and nonsense poetry

Selected as one of The New York Times Best Children’s Books of 2025

'The Boy Who Became A Parrot' written by Wolverton Hill

A long form picture book and affectionate biography of the nineteenth century English artist, illustrator and poet, Edward lear - best known for his limericks and nonsense poetry

Selected as one of The New York Times Best Children’s Books of 2025

'The Boy Who Became A Parrot' written by Wolverton Hill

A long form picture book and affectionate biography of the nineteenth century English artist, illustrator and poet, Edward lear - best known for his limericks and nonsense poetry

Selected as one of The New York Times Best Children’s Books of 2025

Artwork for Heart's 30th Anniversary book 'What Happened'.

To celebrate this milestone, we asked the Artists to create images inspired by a significant event from one year between 1994 and 2025. Some chose to illustrate historical moments or public events; others looked inward, drawing on memories or fleeting personal experiences.

Laura created an artwork for 2023; 'When walking through a river with 15 kids and thinking how nice it is to live like a child, but as an adult'

Artwork for The Boy Who Became a Parrot, a Foolsih Biography of Edward Lear by Barry Wolverton

A fully illustrated account of Edward Lear's life, to be published by Enchanted Lion

Artwork for The Boy Who Became a Parrot, a Foolsih Biography of Edward Lear by Barry Wolverton

A fully illustrated account of Edward Lear's life, to be published by Enchanted Lion

Artwork for The Boy Who Became a Parrot, a Foolsih Biography of Edward Lear by Barry Wolverton

A fully illustrated account of Edward Lear's life, to be published by Enchanted Lion

Artwork for The Boy Who Became a Parrot, a Foolsih Biography of Edward Lear by Barry Wolverton

A fully illustrated account of Edward Lear's life, to be published by Enchanted Lion

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Shown here, a spread about Elizabeth I

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Shown here, a crop of an artwork about the opening of the Royal Academy in 1768

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Shown here, a crop of an artworks of the Roman amphitheatre in Guilhall Yard, 200CE

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Shown here, a spread for the Great Fire of London in 1666

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Shown here, cover

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, The Stone Age

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, Roman Baths spread 150CE

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, spread for the Roman Amphitheater at Guildhall Yard 200CE

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, a copperplate map of London, 1559

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, spread for The Globe Theatre, 1599

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, the spread for c.1550s - c.1650 Filthy London

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, the spread for The Witch Test, 1640s

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, the spread for Christmas Before Cromwell 1640s

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, spread for the Great Fire of London, 1666

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, 1671 the rebuilding of London Monument

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, 1675 Greenwich Observatory

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, Gin 1738

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, a crop of an artwork about the opening of the Royal Academy in 1768

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, 1794 Dandies

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, the building of Nelson's Column 1843

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, 1906 The Women's Suffrage Movement

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, 8th May 1945 VE Day

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, 1966 The Nottinghill Carnival

‘London a History’ written and illustrated by Laura Carlin, published by Walker Studios. 

The book is a celebration of the thousands of years of London’s history from prehistory to the present day. Covering both well-known events and everyday happenings in the lives of Londoners. A typeface has been created for the first time from Laura’s handwriting, which differentiates between Laura’s introduction to new events in the story of London, and the historical and contemporary quotes that are intermingled to provide a perspective from the time. Quotes, poems and historical accounts range from Geoffrey Chaucer and William Blake, to Benjamin Zephaniah and Simon Armitage.

The artworks have been created in a range of materials including watercolour, acrylic, ink, oil pastel and colouring pencil. A limited colour palette mostly ties to a palette of blacks and greys, red and burnt orange with a more limited interjection of blue and green. Each spread exists as a physical artwork, ranging in size from A4 to A3.

Show here, 1966 The Wembley World Cup