Manshen Lo

Poster for indie band ‘Japanese Breakfast’ on tour in the US

An interview with Heart, filmed on location at Manshen's East London studio

One in a series of three animations celebrating the lunar new year and the Chinese year of the snake

One in a series of three animations celebrating the lunar new year and the Chinese year of the snake

One in a series of three animations celebrating the lunar new year and the Chinese year of the snake

Silver slipcase blocked with holographic foil for the illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Front and back cover depicting the two protagonists Sam and Sadie, for an illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Endpapers for Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin, a fully illustrated edition for The Folio Society

The artworks depict the two protagonists of Sam and Sadie

One of seven full page artworks within the illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

'Both Sides' is a video game created by Sam and Sadie where players switch between a mundane life and a fantasy world, reflecting themes of duality, escape, and connection explored throughout the book, which centers on their deep, complex, non-romantic partnership in game development

One of seven full page artworks within the illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

The hospital game room is where the two protagonists Sam Masur and Sadie Green meet as children. They bond over games like Super Mario Bros., with Sadie helping Sam break his selective mutism after his traumatic accident

One of seven full page artworks within the illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Dong and Bong's New York Style House of Pizza

This restaurant is located in Koreatown, Los Angeles, and is owned by the Korean grandparents of one of the main protagonists, Sam Masur

Front cover for Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin, depicting Sam Masur one of the video game designers and central character to the novel

Endpapers for Tomorrow, Tomorrow and Tomorrow

Illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

One in a series of seven artworks for the illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

One in a series of seven artworks for the illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

One in a series of seven artworks for the illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevinmans

Illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Illustrated edition of Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin

Endpapers for Tomorrow, Tomorrow and Tomorrow

Back cover for Tomorrow, Tomorrow and Tomorrow by Gabrielle Zevin, depicting Sadie Green, fellow video game designer and central character to the novel alongside her childhood friend Sam Masur

Cover artwork for 'Foreigners' by E. L. Shen

A novel that follows a family across generations as they navigate love, belonging, and the great fictions they weave to preserve a legacy

Cover artwork for Sally Rooney’s novel ‘Beautiful World Where Are You’

Cover artwork for 'My Cantopop Night's by Emma-Lee Moss, published by Jonathan Cape

The book is the memoir of acclaimed singer-songwriter Emma-Lee Moss (a.k.a. Emmy the Great)

For 11-year-old Emma-Lee, the sound of Hong Kong in the summer of 1995 is Cantopop. The Cantopop stars she idolises are everywhere - their images are on every billboard and their music spills from shop speakers onto the streets. When she and her family move to England later that year, Emma-Lee’s love of Cantopop will be pushed underground – the sound and symbol of her secret childhood identity

Cover artwork for Hello Limerence, by Momo Yamaguchi

The novel, which is set in Tokyo, is a modern exploration of obsessive crushes and infatuation

Cover artwork for 'Plant Lady' by Minyoung Kang

A cult Korean psychological horror tale of a green-fingered serial killer

Film poster for a special screening hosted by MASSIVE for Celine Song’s directorial debut,’Past Lives’

Manshen’s artwork depicts the reunion of characters, Nora (Greta Lee) and Hae-Sung (Teo Yoo) childhood friends who meet again in New York

Cover for issue 3 of MOMENT, a magazine from Japan published by Re: public with a focus on creativity and lifestyle. This issue features interviews related to the theme "explore and interact with what is in the field, in a post Covid-19 world" The interviewees were fabric designers and printmakers, who use natural materials found in their surrounding environments to create beautiful works.

Artwork for Heart's 30th Anniversary book 'What Happened'.

To celebrate this milestone, we asked the Artists to create images inspired by a significant event from one year between 1994 and 2025. Some chose to illustrate historical moments or public events; others looked inward, drawing on memories or fleeting personal experiences.

Manshen created artworks for 2011; 'Two memories of 2011; drinking iced bubble tea in Guangzhou's South Strand heat. Dreaming of an English Summer...

Animations created in collaboration with Nicolas Ménard for the opening title sequence of 'The House'

The House produced by Nexus Studios and streaming on Netflix is a is a stop-motion series of three stories set in the same house

The hand drawn opening sequence, inspired by 19th century woodcuts, provides a stylistic difference to the stop frame animation of the feature. The neutral colour palette of black and white creates an elegant but tense sequence, with references to the mysteries explored in each of the stories

Animations created in collaboration with Nicolas Ménard for the opening title sequence of 'The House'

The House produced by Nexus Studios and streaming on Netflix is a is a stop-motion series of three stories set in the same house

The hand drawn opening sequence, inspired by 19th century woodcuts, provides a stylistic difference to the stop frame animation of the feature. The neutral colour palette of black and white creates an elegant but tense sequence, with references to the mysteries explored in each of the stories

Animations created in collaboration with Nicolas Ménard for the opening title sequence of 'The House'

The House produced by Nexus Studios and streaming on Netflix is a is a stop-motion series of three stories set in the same house

The hand drawn opening sequence, inspired by 19th century woodcuts, provides a stylistic difference to the stop frame animation of the feature. The neutral colour palette of black and white creates an elegant but tense sequence, with references to the mysteries explored in each of the stories

‘June’ artwork from a year long commission to create the twelve covers of Chinese literary magazine Mengya

‘September’ artwork from a year long commission to create the twelve covers of Chinese literary magazine Mengya\

‘October’ artwork from a year long commission to create the twelve covers of Chinese literary magazine Mengya

‘February’ artwork from a year long commission to create the twelve covers of Chinese literary magazine Mengya

A selection of covers in context from a year long commission to create the twelve covers of Chinese literary magazine Mengya

‘November’ artwork from a year long commission to create the twelve covers of Chinese literary magazine Mengya

Artwork for online promotion, wrapping paper and gift cards

Cover artwork for 'Summer Rolls' by Tuyen Do

The novel is a multi-generational story about a British-Vietnamese family, focusing on teenager Mai's journey to understand her family's past as refugees from war-torn Vietnam and her own dual identity

Cover artwork for 'I Know The Ants' by lang Leav

The story's protagonist, Mei Lee's life spirals out of her control after her childhood best friend publishes a memoir that discusses the tragic events of their childhood

Cover for 'The Lantern of Lost Memories' by Sanaka Hiiragi.

Hiirgagi’s novel tells the stories of visitors to a magical photo studio, where people go after they die to view key moments from their life. Visitors are able to relive one precious memory before they pass into the afterlife

One of a pair of animations for Moncler focusing on the ski season in Aspen

One of a pair of animations for Moncler focusing on the ski season in Aspen

Cover artwork for The Loft by Marlen Haushofer, rereleased by Vintage after being first published in 1969

The Austrian writer is widely considered an early and leading proponent of dystopian fiction

'Mountain Hug'

Music video for Tom Odell’s single 'Sad Anymore'

Music video for Tom Odell’s single 'Best Day of My Life'

There's a Name for the Blah You're Feeling: It's Called Languishing'

Illustrating an article that identifies the dominant emotion of the pandemic

First published in Korean, part memoir, part self-help book ‘I Want to Die but I Want to Eat Tteokbokki’, has become an international best seller

Baek Sehee was a successful young social media director at a publishing house when she began seeing a psychiatrist about her depression. In her memoir she writes about feeling persistently low, anxious, endlessly self-doubting, but also highly judgemental of others

Cover for 'I Want to Die but I Still Want to Eat Tteokbokki' by Baek Sehee, the sequel to the international-bestselling therapy memoir ‘I Want to Die but I Want to Eat Tteokbokki'

'Starecase'

Cover artwork for MOMENT magazine issue 3, 'City as Home', published by Japanese think tank RE:PUBLIC with focus on modern urban design

‘Elephant’s Ears’

1,000 piece jigsaw puzzle, in a limited edition of 600 copies, made in France

‘Elephant’s Ears’

1,000 piece jigsaw puzzle, in a limited edition of 600 copies, made in France

‘Find your very own forest retreat…’

Collaboration with Japanese skincare brand BAUM to create a series of artworks and animated artworks used in stores and online around the theme “coexistence with trees” and featuring different BAUM products

BAUM products use ingredients extracted from every part of the tree - trunk, skin, leaves, fruit, and roots

‘Find your very own forest retreat…’

Collaboration with Japanese skincare brand BAUM to create a series of artworks and animated artworks used in stores and online around the theme “coexistence with trees” and featuring different BAUM products

BAUM products use ingredients extracted from every part of the tree - trunk, skin, leaves, fruit, and roots

‘Find your very own forest retreat…’

Collaboration with Japanese skincare brand BAUM to create a series of artworks and animated artworks used in stores and online around the theme “coexistence with trees” and featuring different BAUM products

BAUM products use ingredients extracted from every part of the tree - trunk, skin, leaves, fruit, and roots

‘Find your very own forest retreat…’

Collaboration with Japanese skincare brand BAUM to create a series of artworks and animated artworks used in stores and online around the theme “coexistence with trees” and featuring different BAUM products

BAUM products use ingredients extracted from every part of the tree - trunk, skin, leaves, fruit, and roots

Cover for the Association of Illustrators magazine, based on the subject of nostalgia

'Pavilion'

'A Supposedly Fun Thing I Just Might Do Again'

Travel writer Emily Nunn, surprises herself by enjoying her visit to Primland, a lavish outdoor resort she previously despised as a virtual fairyland for the rich

One in a series of five artworks illustrating an imagined ‘Garden City’ of 2040. The project was commissioned by Space10, a design studio set up to collaborate with IKEA, as a research and design lab.

The artworks were presented at ‘The Ideal City: Exploring Urban Futures’ exhibition at The Barbican, London. An interactive installation, shared three speculative environments — the Coastal City, the Garden City, and the Solar City. Viewers glimpse these futures through one of three VR headsets, custom-designed in the shape of coin-operated binoculars. Each headset reveals five scenes, accompanied by an audio narration that guides the viewer through the actions each city took to arrive at a safe, desirable and hopeful 2040

Spring

One in a series of artworks for the covers of Poetry Review, responding to each issue’s contents

Summer

One in a series of artworks for the covers of Poetry Review, responding to each issue’s contents

Winter

One in a series of artworks for the covers of Poetry Review, responding to each issue’s contents

‘Set yourself up for Growth, Aspiration and Intention with Tylko’

A short animation showcasing the studio office incorporating the ‘Type02’ Tylko shelf in mustard and sand

Wellbeing - From “Me” to “We,” From GDP to GDWe

Exploration of social media's quest to take advantage of our reliance on audiovisual information

One in a series of artworks commissioned or SONY's Design Vision Annual Report on the theme of using Science Fiction Prototyping to imagine what the world will look like in 2050

While social media has benefited us in many ways through the digitization of our social connections, it has also led to the creation of harmful content that take advantage of our reliance on audiovisual information

Multispecies; How do we reconstruct the human world to benefit all species?

Multispecies ethnography, is the concept of symbiosis with multiple species, not only plants and animals but even microbiomes

One in a series of artwork commissioned or SONY's Design Vision Annual Report on the theme of using Science Fiction Prototyping to imagine what the world will look like in 2050

Homodividual

Could there be a future where our identities are divided among multiple virtual selves? A growing number of people are turning their attention to metaverses. AR, VR and XR technologies have advanced, bringing us closer to the realisation of an identical twin world

One in a series of artwork commissioned or SONY's Design Vision Annual Report, on the theme of using Science Fiction Prototyping to imagine what the world will look like in 2050

Animation used to promote the non-profit annual animation festival which takes place in Berkley, California

Artwork for a social media and instore campaign in Hong Kong and Singapore

Artwork for a social media and instore campaign in Hong Kong and Singapore

Artwork for Block magazine’s interview with the co-founder of Kinfolk and now creative officer of Indigo — the largest bookstore chain in Canada, on the subject of slow living and the future of retail. Published by Allied Properties REIT and Whitman Emorson

'Letter of Recommendation: Airport Layover'

Writer Sasha Chapin recommends indulging in an airport bound layover rather rushing to try and make something meaningful from a few hours in a location that you didn’t necessarily choose

“Layovers are enforced ellipses in life — temporary tenures in air-conditioned limbo”

Website artworks for ‘Tyrus’, a free digital toolkit from Airbnb Design that helps freelancers optimise their business structure, so they have more time to focus on being creative

‘An Artwork that changed by Life: Dorothea Tanning, Self-Portrait, 1944’

Novelist Sophie Mackintosh reveals how a self-portrait by Dorothea Tanning, depicting a lone woman facing an uncertain future, helped her to discover the self-confidence she needed.

"When I saw the painting I felt at once a deep sense of comfort and possibility"

Artwork to celebrate the 270th anniversary of The Royal Society of Arts and their theme for the year 'courage'

A Supposedly Fun Thing I Just Might Do Again

Travel writer Emily Nunn, surprises herself by enjoying her visit to Primland, a lavish outdoor resort she previously despised as a virtual fairyland for the rich

Ingredient artworks created for the branding of Octo Skincare.

Prickly pear cactus

Ingredients artworks created for the branding of Octo Skincare.

Xanana flower

Ingredient artworks created for the branding of Octo Skincare.

Sandalwood

Ingredient artworks created for the branding of Octo Skincare.

Marine algae

Ingredient artworks created for the branding of Octo Skincare.

Sanoma

Artwork created for the branding of Octo Skincare

Review of the indie band Japanese Breakfast

Poster and advertising for Lost & Found a quarterly event in Barcelona

Portrait of FX

Portrait Saul

Artwork for an article about how to manage scent

'Orchid'

'Reception'

Self Portrait

'Garden'

'Window dressings'

Artwork for Faber & Faber merchandising used on tote bags, notebooks and prints

‘Is Social Egg Freezing the Future of Motherhood?’One of a series of artworks illustrating an article that looks at the rising number of young women seeking to preserve their fertility

Portrait of the Chinese writer Fang Fang

Referring to oneself in the third person and how that connects with the Buddhist concept of non-self

Cover artwork for MOMENT magazine issue 2 , 'What we talk about when we talk about our city', published by Japanese think tank RE:PUBLIC with a focus on modern urban design

Review of singer-songwriter ‘Mitski’

‘Portrait of the Artist as an Office Drone’ a review of Carrie Sun’s memoir entitled ‘Private Equity’ an account of her experience of working in high finance in the early twenty-tens and her quest to be a writer... but having a day job whilst doing it

'Midday'

'Untitled 01'

'Untitled 02'