Matthew Richardson’s bold and finely crafted work combines handcut and digital collage to create unexpected visual narratives and spaces that operate between the figurative and abstract. His work has been used extensively across print, publishing and web, with notable commissions that include projects with the V&A museum, the English National Opera, and the British Library. He has created illustrated books and covers for many publishers including Penguin, The Folio Society and Harper Collins, and editorial work for clients such as The New Yorker, The Guardian, Harper’s and New Scientist.
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Speeches of Note
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Speeches of Note
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Association of Illustrators
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GOOD
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GOOD
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GOOD
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GOOD
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GOOD
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V&A
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V&A
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V&A
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High-Rise
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World of Interiors
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World of Interiors
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Xx
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Suburbs Defined
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ATK Colognes
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ATK Colognes
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ATK Colognes
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World of Interiors
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Flammarion
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The Drowned World
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The Drowned World
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The Drowned World
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The Folio Society
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The Folio Society
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The Folio Society
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The Folio Society
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V&A
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V&A
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V&A
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V&A
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Tricycle
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Tricycle
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Tricycle
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Tricycle
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Morningstar
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The Economist
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Harper's Magazine
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Birmingham Museums
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Birmingham Museums
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Birmingham Museums
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Birmingham Museums
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Peepers
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Aston Martin magazine
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Metamorphosis
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Metamorphosis
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Bird Island
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Aphrodite 80
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The Folio Society
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The Folio Society
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Speeches of Note
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Harper's Magazine
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Speeches of Note
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The Economist
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The Economist
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Cultural Acupunturist
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Marx
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Cultural Acupunturist
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Mickey
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Animal Vegetable Mineral
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Animal Vegetable Mineral
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The Economist
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Drowned World
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Drowned World