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The Baffler, Diversity for What? The political and experiential limits of a liberal shibboleth
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‘Sainte Victoire’ A large scale drawing depicting a fictitious exhibition based on Cézanne’s paintings of the Sainte Victoire mountatin. For an exhibition at the Atelier de Cézanne
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Vraiment magazine, Naoshima Island in Japan
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The Washington Post, Effusive Hails to the Chief
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Revue XXI, Baghdad
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Bloomberg Businessweek, Master tequila distiller Francisco Alcaraz
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Inc Magazine, flosports – the subscription based 24hr online sports channel
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The Guardian Review cover, George Saunders discusses the art of writing
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NRDC Magazine, Stop Idling
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Maison et Objet event publication
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Bloomberg Businessweek, Driverless Cars
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Bloomberg Businessweek, Junk on Broadway review
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Théâtre des bouffes du Nord, advertising campaign
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Théâtre des bouffes du Nord, advertising campaign
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M le Monde, the organisation behind arts fairs such FIAC in Paris and Art Basel in Miami
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Oprah Magazine, how to deal with annoying friends
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Dorade n°5, book review of ‘Falling in love with Cement’ by Viken Berberian
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Stanford Social Innovation Review,
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Bloomberg Businessweek, Welcome to New York
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M Le Monde, the entertainment and tourism surrounding the US election campaign
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M le Monde, the work of the Italian director Luchino Visconti
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The New York Times, what is America to me?
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The New York Times Book Review, The Ministry of Utmost Happiness by Arundhati Roy
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Libération, the American film market
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The New Yorker, the pleasures of New York by car
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The New York Times, Weather of the World
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Le 1, Bastards of the Poor
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Süddeutsche Zeitung, special design issue feature on walls
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Le Monde, Grand Palais
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DADA journal, an interpretation of Bruegel’s ‘Children’s Games’