Michelle Mildenberg Lara The New York Review of Books
Fien Jorissen The New York Review of Books
Romy Blümel The New York Review of Books
Romy Blümel The New York Review of Books
Michelle Mildenberg Lara The New York Review of Books
Romy Blümel The New York Review of Books
Romy Blümel The New York Review of Books
Michelle Mildenberg Lara The New York Review of Books
Masha Krasnova-Shabaeva The New York Review of Books
Masha Krasnova-Shabaeva The New York Review of Books
Fien Jorissen The New York Review of Books
Masha Krasnova-Shabaeva The New York Review of Books
Fien Jorissen The New York Review of Books
Romy Blümel The New York Review of Books
Michelle Mildenberg Lara The New York Review of Books
Masha Krasnova-Shabaeva The New York Review of Books
Michelle Mildenberg Lara The New York Review of Books
Michelle Mildenberg Lara The New York Review of Books
Michelle Mildenberg Lara The New York Review of Books
Michelle Mildenberg Lara The New York Review of Books
The New York Review of Booksmi
The New York Review of Booksmi
Portrait of the writer Tommy Orange
The New York Review of Books
The New York Review of Books
Portrait of Helen Garner accompanying Nathan Whitlock's essay on the Australian author
The New York Review of Books
The New York Review of Books
Portrait of the writer Pat Barker for The New York Review of Books’ review of ‘The Women of Troy’. The novel is the second in Barker’s trilogy-in-progress about the Trojan War
Pat Barker
Pat Barker
Portrait of the writer Pat Barker for The New York Review of Books' review of 'The Women of Troy'. The novel is the second in Barker’s trilogy-in-progress about the Trojan War.
The New York Review of Books
The New York Review of Books
Portrait of the French writer and lawyer, Nathalie Sarraute
New York Review of Books
New York Review of Books
Portrait of the writer, Katherine Mansfield accompanying a review of ‘All Sorts of Lives: Katherine Mansfield and the Art of Risking Everything’ by Claire Harman
The New York Review of Books
The New York Review of Books
Portrait of Alba de Céspedes, author of 'Forbidden Notebook' reviewed by Catherine Lacey for The New York Review of Books
New York Review of Books
New York Review of Books
Portrait of the writer Jennifer Croft
The New York Review of Books
The New York Review of Books
Portrait of Martin MacInnes to accompany a review of his book In Ascension
The New York Review of Books
The New York Review of Books
Book Review of Accidental Gods: On Men Unwittingly Turned Divine. What does it mean when men are worshiped, willingly or not, as gods?
The New York Review of Books
The New York Review of Books
To accompany a book review of two novels set in the near-future about technology and the narrative imagination: 'The Immortal King Rao' by Vauhini Vara and 'The Candy House' by Jennifer Egan
The New York Review of Books
The New York Review of Books
Review of the new novels by V. V. Ganeshananthan and Shehan Karunatilaka, who both use the distance of time to dramatise large chunks of Sri Lanka’s recent past
The New York Review of Books
The New York Review of Books
Portrait of Reality Winner, former US Air Force Veteran and currently serving the longest prison sentence ever imposed for an unauthorized release of government classified information
The portrait accompanies a book review of by Ava Kofman of 'Bottoms Up and Devil Laughs' by Kerry Howley a narrative non-fiction story about indelible data, where everything is recorded
The New York Review of Books
The New York Review of Books
Portrait of the writer, Katherine Mansfield accompanying a review of ‘All Sorts of Lives: Katherine Mansfield and the Art of Risking Everything’ by Claire Harman
The New York Review of Books
The New York Review of Books
‘The Parent Trap’ the sociologist Kelley Fong argues that we would do better by children and families if we were to widen our understanding of the social causes of adversity rather than relying solely on the blunt force of Child Protective Services
The New York Review of Books
The New York Review of Books
Book Review of ‘Accidental Gods: On Men Unwittingly Turned Divine’. What does it mean when men are worshiped, willingly or not, as gods?
The New York Review of Books
The New York Review of Books
The New York Review of Books
The New York Review of Books
Portrait of the writer Namwali Serpell
The New York Review of Books
The New York Review of Books
'Toffler in China'
Howard W. French compares compares his experiences during a recent trip to China with the work of author Alvin Toffler in his book 'Futuire Shock' written in 1970 about society's reaction to too much change in too short a time
