Illustrating an article about Biden's pandemic plans
The New Yorker
The New Yorker
Spots running throughout one issue of the magazine
The New Yorker
The New Yorker
Three spots from a series of eight, running throughout one issue of The New Yorker
The New Yorker
The New Yorker
Spot artworks from a series of eight, running throughout one issue of The New Yorker
The New Yorker
The New Yorker
'Claire Chase Taps the Primal Power of the Flute'
A monumental undertaking to expand the flute's repertoire is being led by flutist Clare Chase who has been commissioning scores for a project entitled 'Density 2036'
The New Yorker
The New Yorker
‘Portrait of the Artist as an Office Drone’ a review of Carrie Sun’s memoir entitled ‘Private Equity’ an account of her experience of working in high finance in the early twenty-tens and her quest to be a writer... but having a day job whilst doing it
The New Yorker
The New Yorker
Three spots from a series of eight, running throughout one issue of The New Yorker
The New Yorker
The New Yorker
'Ex Appeal in "Everybody Knows"'
Review of the play Everybody Knows, with real-life spouses Javier Bardem and Penélope Cruz, playing ex-lovers
The New Yorker
The New Yorker
'Counting Down The Hours'
A review of 'The Hours' a new opera and adaptation of Michael Cunningham’s novel which features Virginia Woolf as a central character and emulates the themes of Mrs Dalloway
The New Yorker
The New Yorker
‘Portrait of the Artist as an Office Drone’ a review of Carrie Sun’s memoir entitled ‘Private Equity’ an account of her experience of working in high finance in the early twenty-tens and her quest to be a writer... but having a day job whilst doing it
The New Yorker
The New Yorker
Review of the indie band Japanese Breakfast
The New Yorker
The New Yorker
Travel themed spots running throughout one issue of the magazine
The New Yorker
The New Yorker
'The Night Crawlers'
Review of Forest Whitaker in Eugene O'Neill's one act play 'Hughie'
The New Yorker
The New Yorker
Second in series of images illustrating a review of ‘Study of Two Figures – Dr. Seus and Chrysanthemum Pearl’ a new sequence of poems by Monica Youn which looks at the links between Theodor Geisel and his alter ego, Dr Seuss, his wife, and their fictitious child (Chrysanthemum-Pearl), whose name references the symbol of imperial Japan
The New Yorker
The New Yorker
Portrait of Tony Award winner Anika Noni Rose to accompany a review of the musical, Carmen Jones
The New Yorker
The New Yorker
Portrait of Keegan Michael Key
The New Yorker
The New Yorker
‘Study of Two Figures – Dr. Seuss and Chrysanthemum Pearl’
Theodor Seuss Geisel (Dr. Seuss) and his wife Helen Palmer Geisel created an imaginary daughter named Chrysanthemum-Pearl
‘Study of Two Figures’ is a new sequence of poems by Monica Youn which looks at the links between Theodor Geisel and his alter ego, Dr Seuss, his wife, and their fictitious child – whose name references the symbol of imperial Japan
The New Yorker
The New Yorker
Spots running throughout one issue of the magazine
The New Yorker
The New Yorker
'Revisiting Composers Suppressed by the Nazis'
Portrait of the Austrian Composer Alexander Zemlinsky. Two of his operas are performed at the closing weekend of 'Musica Non Grata' in Prague
The New Yorker
The New Yorker
'It's Still Mrs Thatcher's Britain'
The English literary critic, James Wood, debates how we should remember Margaret Thatcher. Her gospel of success and self-reliance earned her many admirers and enemies
The New Yorker
The New Yorker
‘The Strange Story of Dagobert, the “DuckTales” Bandit’
In the nineties, a frustrated artist in Berlin went on a crime spree – building bombs, extorting high-end stores, and styling his persona after Scrooge McDuck. He soon became a German folk hero
The New Yorker
The New Yorker
Artwork for the short story 'Canvas' by Ayşegül ~Savaş
The New Yorker
The New Yorker
AI
The New Yorker
The New Yorker
'The Life Like Illusions of A.I.'
Are artificial intelligence researchers creating believable fictional characters in the same way that video-game creators do?