The New Yorker

Three spots from a series of eight, running throughout one issue of The New Yorker

‘Portrait of the Artist as an Office Drone’ a review of Carrie Sun’s memoir entitled ‘Private Equity’ an account of her experience of working in high finance in the early twenty-tens and her quest to be a writer... but having a day job whilst doing it

Portrait of Tony Award winner Anika Noni Rose to accompany a review of the musical, Carmen Jones

'Ex Appeal in "Everybody Knows"'

Review of the play Everybody Knows, with real-life spouses Javier Bardem and Penélope Cruz, playing ex-lovers

Three spots from a series of eight, running throughout one issue of The New Yorker

'It's Still Mrs Thatcher's Britain'

The English literary critic, James Wood, debates how we should remember Margaret Thatcher. Her gospel of success and self-reliance earned her many admirers and enemies

'The Night Crawlers'

Review of Forest Whitaker in Eugene O'Neill's one act play 'Hughie'

Illustrating an article about Biden's pandemic plans

Portrait of Keegan Michael Key

'Revisiting Composers Suppressed by the Nazis'

Portrait of the Austrian Composer Alexander Zemlinsky. Two of his operas are performed at the closing weekend of 'Musica Non Grata' in Prague 

Spot artworks from a series of eight, running throughout one issue of The New Yorker